Artistic Expressions as Vehicles of Cultural Memory: Bridging Identity, Heritage, and Intercultural Understanding

Authors

DOI:

https://doi.org/10.29333/ejecs/2816

Keywords:

Cultural memory, artistic expression, collective memory, cultural heritage, identity, semiotics, commemoration

Abstract

Artistic expressions – encompassing visual arts, literature, music, architecture, and other creative practices – serve as powerful vehicles of cultural memory that carry a society’s shared past into the present. This article examines the multifaceted relationship between art and cultural memory, drawing on interdisciplinary theories of collective memory and identity. It begins by outlining the concept of cultural memory as distinct from individual recollection or official history, highlighting how collective memories are constructed, transmitted, and preserved through external media and symbols. Artistic expressions are explored as a form of symbolic communication or “language,” encoding cultural values and historical narratives in visual and performative signs. These expressions range from monuments and heritage artifacts to literary works and ritual performances, all of which help stabilize group identity by commemorating shared experiences. We analyze how artworks not only preserve cultural heritage but also actively shape and critique memory – for example, in memorials of trauma that demand ethical reflection. The role of power and perspective in cultural memory is considered, noting that what a society remembers or forgets often reflects relations of hegemony and marginalization. Furthermore, the article discusses contemporary manifestations of cultural memory in digital media, such as serious games and interactive archives that engage new audiences in heritage learning. Through a synthesis of scholarly insights and examples, we demonstrate that artistic expressions function as dynamic “memory devices” – simultaneously conserving the past and reinterpreting it – thereby contributing to cultural continuity, identity formation, and intercultural dialogue.

Downloads

Download data is not yet available.

Author Biographies

Alaviyya Nuri, Nakhchivan State University

Alaviyya Nuri is a Ph.D. student and lecturer at the Department of English Language and Methodology, Nakhchivan State University, Azerbaijan. Her research interests center on English linguistics, intercultural communication, and English for Specific Purposes (ESP). She has authored and co-authored several research papers on language-teaching methodology and intercultural competence. Nuri also integrates innovative teaching strategies, such as digital storytelling and project-based learning, into her classroom practice.

Zulfiyya Ismayil

Dr. Zulfiyya Ismayil is an Associate Professor and Doctor of Philosophy (Ph.D.) in Philology at Nakhchivan State University and a member of the Nakhchivan Branch of the Azerbaijan National Academy of Sciences. Her academic interests include Azerbaijani linguistics, comparative philology, and the development of linguistic thought in Azerbaijan. Dr. Ismayil has published numerous scholarly articles in national and international journals and actively participates in conferences on language and culture studies.

Malahat Babayeva

Dr. Malahat Babayeva works as an associate professor at the Department of Literature at the Azerbaijan State Pedagogical University (ASPU) in Baku. She holds a Ph.D. in Philology and specializes in Azerbaijani literature, comparative literary studies, and modern Azerbaijani prose. Her research explores national identity, literary expression, and cultural transformation in Azerbaijani literature. Dr. Babayeva has presented her work at numerous international conferences and contributed to peer-reviewed journals.

Abulfaz Guliyev

Professor Dr. Abulfaz Guliyev is a renowned philologist and the Director of the Institute of Art, Language and Literature of the Nakhchivan Branch of the Azerbaijan National Academy of Sciences. He also teaches at Nakhchivan State University. His scholarly work focuses on Azerbaijani linguistics, dialectology, and historical language development. Professor Guliyev is the author of several monographs and textbooks and serves as an expert in national and international linguistic projects.

Firuza Rzayeva

Dr. Firuza Rzayeva is an associate professor and the Head of the Master’s Department at the Azerbaijan University of Languages in Baku. She holds a Ph.D. in Philology and has extensive experience in teaching and research. Her academic focus includes language education, sociolinguistics, and translation studies. Dr. Rzayeva has supervised many postgraduate students and contributed significantly to the development of advanced language curricula in Azerbaijan.

Gunay Shiraliyeva

Dr. Gunay Shiraliyeva is an associate professor and she serves as the Head of the Department of English Language Teaching Methods at the Azerbaijan University of Languages, Baku. She holds a Ph.D. in Linguistics and has over fifteen years of experience in language pedagogy. Her main research interests include English language teaching methodology, teacher education, and language assessment. Dr. Shiraliyeva has authored numerous papers on ELT innovation and pedagogical strategies.

Tabarruk Jahangirli

Dr. Tabarruk Jahangirli is a Senior Lecturer at the Department of Foreign Languages, Azerbaijan Technical University, Baku. She holds a Ph.D. in Linguistics and specializes in English language teaching, translation studies, and applied linguistics. Her academic work focuses on integrating technology in language education and enhancing students’ communicative competence. Dr. Jahangirli regularly participates in international symposia and contributes to collaborative research initiatives.

References

Aldrich, V. C. (2025). Philosophy of art. Bonhopai Books. p.45

Anderson, E. F., McLoughlin, L., Liarokapis, F., Peters, C., Petridis, P., & De Freitas, S. (2010). Developing serious games for cultural heritage: a state-of-the-art review. Virtual Reality, 14(4), 255–275. https://doi.org/10.1007/s10055-010-0177-3 DOI: https://doi.org/10.1007/s10055-010-0177-3

Assmann, A. (2006). Memory, individual and collective. In R. E. Goodin & C. Tilly (Eds.), The Oxford Handbook of Contextual Political Analysis (pp. 210–224). Oxford University Press. DOI: https://doi.org/10.1093/oxfordhb/9780199270439.003.0011

Assmann, A. (2011). Cultural Memory and Western Civilization: Functions, Media, Archives. Cambridge University Press.

Assmann, J. (2011). Communicative and cultural memory. In K. K. Kong & J. Rüsen (Eds.), Cultural Memories: The Geographical Point of View (pp. 15–27). Springer Netherlands. https://doi.org/10.1007/978-90-481-8945-8_2 DOI: https://doi.org/10.1007/978-90-481-8945-8_2

Assmann, J., & Czaplicka, J. (1995). Collective memory and cultural identity. New German Critique, 65(1), 125–133. https://doi.org/10.2307/488538 DOI: https://doi.org/10.2307/488538

Bal, M., & Bryson, N. (1991). Semiotics and art history. The Art Bulletin, 73(2), 174–208. https://doi.org/10.1080/00043079.1991.10786752 DOI: https://doi.org/10.2307/3045790

Betensky, M. G. (1995). What Do You See?: Phenomenology of Therapeutic Art Expression. Jessica Kingsley Publishers.

Blake, J. (2000). On defining the cultural heritage. International and Comparative Law Quarterly, 49(1), 61–85. https://doi.org/10.1017/S002058930006396X DOI: https://doi.org/10.1017/S002058930006396X

Boyer, M. C. (1994). The City of Collective Memory: Its Historical Imagery and Architectural Entertainments. MIT Press.

Braden, S. (2025). Artists and people. Taylor & Francis, https://doi.org/10.4324/9781003617839 DOI: https://doi.org/10.4324/9781003617839

Chandler, D. (2022). Semiotics: The Basics (3rd ed.). Routledge. DOI: https://doi.org/10.4324/9781003155744

Confino, A. (1997). Collective memory and cultural history: Problems of method. The American Historical Review, 102(5), 1386–1403. https://doi.org/10.2307/2171069 DOI: https://doi.org/10.1086/ahr/102.5.1386

Crawley, H., & Nyahuye, L. (2022). Boxed: Exploring Containment and Resilience in Times of Crisis. Feminist Encounters: A Journal of Critical Studies in Culture and Politics, 6(2), 24. https://doi.org/10.20897/femenc/12347 DOI: https://doi.org/10.20897/femenc/12347

Elston-Short, J. D. J., & Benwell, M. (2025). Integrated Cognitive Behavior Therapy: Implications for Professional Identity. A Systematic Review. American Journal of Qualitative Research, 9(4), 237-254. https://doi.org/10.29333/ajqr/17188 DOI: https://doi.org/10.29333/ajqr/17188

Gibbons, J. (2007). Contemporary Art and Memory: Images of Recollection and Remembrance. I.B. Tauris.

Gillman, D. (2010). The Idea of Cultural Heritage (Rev. ed.). Cambridge University Press.

Halbwachs, M. (2024). On Collective Memory (L. A. Coser, Trans.; New ed.). University of Chicago Press. (Original work published 1950)

Hirsch, M., & Smith, V. (2002). Feminism and cultural memory: An introduction. Signs: Journal of Women in Culture and Society, 28(1), 1–19. https://doi.org/10.1086/340890 DOI: https://doi.org/10.1086/340890

Hoffman, B. T. (Ed.). (2006). Art and Cultural Heritage: Law, Policy and Practice. Cambridge University Press.

Holbrook, M. B., & Hirschman, E. C. (1993). The Semiotics of Consumption: Interpreting Symbolic Consumer Behavior in Popular Culture and Works of Art. Walter de Gruyter. DOI: https://doi.org/10.1515/9783110854732

Hutton, P. H. (1993). History as an Art of Memory. University Press of New England.

Ismayil, Z. (2024). Development points of the derivation process related to Nakhchivan dialects and accents (based on written and oral literary and artistic examples). Forum for Linguistic Studies, 6(2), 1192. https://doi.org/10.59400/fls.v6i2.1192 DOI: https://doi.org/10.59400/fls.v6i2.1192

Lang, B. (2000). Holocaust Representation: Art within the Limits of History and Ethics. Johns Hopkins University Press.

Lawrence, R. L. (2012). Transformative learning through artistic expression. In E. W. Taylor & P. Cranton (Eds.), The Handbook of Transformative Learning: Theory, Research, and Practice (pp. 471–485). Jossey-Bass.

Lusebrink, V. B. (2004). Art therapy and the brain: An attempt to understand the underlying processes of art expression in therapy. Art Therapy, 21(3), 125–135. https://doi.org/10.1080/07421656.2004.10129496 DOI: https://doi.org/10.1080/07421656.2004.10129496

Margalit, A. (2002). The Ethics of Memory. Harvard University Press. DOI: https://doi.org/10.4159/9780674040595

McNiff, S. (2011). Artistic expressions as primary modes of inquiry. British Journal of Guidance & Counselling, 39(5), 385–396. https://doi.org/10.1080/03069885.2011.621520 DOI: https://doi.org/10.1080/03069885.2011.621526

Merryman, J. H., & Elsen, A. E. (2007). Law, Ethics and the Visual Arts (5th ed.). Kluwer Law International.

Moayerian, N. (2023). The arts and individual and collective agency: A Brazilian case study. Journal of Ethnic and Cultural Studies, 10(4), 155–168. https://doi.org/10.29333/ejecs/1407 DOI: https://doi.org/10.29333/ejecs/1407

Olick, J. K., Vinitzky-Seroussi, V., & Levy, D. (Eds.). (2011). The Collective Memory Reader. Oxford University Press.

Pennebaker, J. W., Páez, D., & Rime, B. (Eds.). (2013). Collective Memory of Political Events: Social Psychological Perspectives. Psychology Press.

Schapiro, M. (1969). On some problems in the semiotics of visual art: Field and vehicle in image-signs. Semiotica, 1(3), 223–242. https://doi.org/10.1515/semi.1969.1.3.223 DOI: https://doi.org/10.1515/semi.1969.1.3.223

Schwartz, B. (1982). The social context of commemoration: A study in collective memory. Social Forces, 61(2), 374–402. https://doi.org/10.2307/2578230 DOI: https://doi.org/10.2307/2578232

Tan, X. (2020). Ethnic Minority Women in Contemporary Chinese Comics: Design, Role and Identity. Feminist Encounters: A Journal of Critical Studies in Culture and Politics, 4(1), 07. https://doi.org/10.20897/femenc/7911 DOI: https://doi.org/10.20897/femenc/7911

Till, K. E. (2012). Wounded cities: Memory-work and a place-based ethics of care. Political Geography, 31(1), 3–14. https://doi.org/10.1016/j.polgeo.2011.10.008 DOI: https://doi.org/10.1016/j.polgeo.2011.10.008

van Leeuwen, T. (2001). Semiotics and iconography. In T. van Leeuwen & C. Jewitt (Eds.), Handbook of Visual Analysis (pp. 92–118). Sage. DOI: https://doi.org/10.4135/9780857020062.n5

Walder, D. (2010). Postcolonial Nostalgias: Writing, Representation and Memory. Routledge. DOI: https://doi.org/10.4324/9780203840382

Wang, Y., & Fu, S. (2025). Rejecting Rejections: Arts-Based Reflexivity of Untamed Scholarly Identity Development and Sisterhood in Be(com)ing Academics. American Journal of Qualitative Research, 9(3), 245-265. https://doi.org/10.29333/ajqr/16647 DOI: https://doi.org/10.29333/ajqr/16647

Winarto, W., Rosada, D., Wibowo, W. S., Rahayu, D. P., Pradana, P. W., & Shidiq, G. A. (2025). The Impact of STEM-EfSD Games on Enhancing Students’ Creative Thinking and Environmental Literacy. European Journal of STEM Education, 10(1), 23. https://doi.org/10.20897/ejsteme/17354 DOI: https://doi.org/10.20897/ejsteme/17354

Windhager, F., Federico, P., Schreder, G., Glinka, K., Dörk, M., Miksch, S., & Mayr, E. (2019). Visualization of cultural heritage collection data: State of the art and future challenges. IEEE Transactions on Visualization and Computer Graphics, 25(6), 2311–2330. https://doi.org/10.1109/TVCG.2018.2830759 DOI: https://doi.org/10.1109/TVCG.2018.2830759

Downloads

Published

2025-11-17

How to Cite

Nuri, A., Ismayil, Z., Babayeva, M., Guliyev, A., Rzayeva, F., Shiraliyeva, G., & Jahangirli, T. (2025). Artistic Expressions as Vehicles of Cultural Memory: Bridging Identity, Heritage, and Intercultural Understanding. Journal of Ethnic and Cultural Studies, 12(5), 258–275. https://doi.org/10.29333/ejecs/2816

Issue

Section

Original Manuscript

Similar Articles

<< < 14 15 16 17 18 19 20 21 22 23 > >> 

You may also start an advanced similarity search for this article.